Dignus iis
qui mihi
digni sunt.

Sakarit is a Graphic designer by trade, wabi-sabi gardener by soul, and cook by enthusiasm. He or It navigates the space between ‘umami‘, pixels, and soil, creating striking visuals and immersive artifacts that feel like home, nowhere, and a little bit like Andromeda.  His physical form was shaped in Phrae, Northern Thailand, and Philadelphia, but his current coordinates are Brooklyn, New York.”

Graduated from Pratt Institute, a school dedicated to shaping creative leaders with the knowledge and experience to build a better world, earning a BFA in Communications Design, with an emphasis in Graphic Design. Focusing on the intersection of typography and motion, Sakarit crafts emotional brand narratives through both conventional and experimental storytelling.

Sakarit work is an invitation to travel. By merging academic studies with playful narratives, he crafts immersive visuals that live between the historical and the digital. He strives for the Gesamtkunstwerk, “a total work of art,” where diverse disciplines collide to create impactful stories that resonate physically, virtually, and emotionally.

He/It believes design should be more than seen; it should be felt, ingrained, and inhabited. Sakarit believes:

“There’s a fine line between creativity and insanity—crossing the line is sublimity.”

He balances bold, elaborate compositions with a refined minimalist eye. It’s about pushing boundaries, knowing when to lean into the whimsical and when to stay simple.

Beyond the screen, he hands are in the soil or the kitchen. While not a chef, he holds a degree in traditional Thai Culinary Arts. he thrives on ingredients that challenge “authenticity,” dreaming of a design practice as flavorful and layered as his dishes. 

His gardening and landscaping are fueled by a love for Puccini’s operatic drama and the beauty of wabi-sabi. Whether he’s building miniature living worlds in terrariums or crafting 1,000 fancy hats for his future shows, his work follows one simple belief: everything is imperfect, yet extraordinarily operatic.